Hi readers! I'm organizing/chairing a session at the MLA conference in New York City in January 2018. This is a non-guaranteed session that is sponsored by the Children's and Young Adult Literature Forum. The call for papers is posted is below. Feel free to share this CFP widely to kidlit and queer studies scholars! ¡Gracias! … Continue reading CFP: Queer Futurities in Children’s and Young Adult Literature
Edmund White's A Boy's Own Story is a coming-of-age novel centered on the sexual awakening of a queer teenage boy in the Midwest during the 1950s. The novel discusses topics such as the corruption of innocence, the pressures of masculinity in the lives of young boys, the emergence of childhood sexuality, and the exploration of humanity through … Continue reading Queer Time in Edmund White’s [A Boy’s Own Story]
Defining the parameters of postmodern literature is a daunting task, due not only to disagreements about what texts can or can't be approached as postmodern, but also to the paradoxical and elusive nature of the postmodern movement. Paradoxical seems to be an effective word to invoke when approaching postmodern literature--as Barry Lewis points out in his … Continue reading What is Postmodern Literature?
Failure is found at the heart of many great works of fiction. It is a common motif used to spark an emotional connection, sympathy, and at times, anger. Failure is not only the heart of Christopher Isherwood's A Single Man--is also the blood, the flesh, and the soul of this novel. Centered on a single day … Continue reading Connection Failed: An Analysis of Christopher Isherwood’s [A Single Man]
Michael Cunningham's The Hours barely needs an introduction. Not only was it the winner of the 1999 Pulitzer Prize for fiction, but it is also the source of the Oscar-winning 2002 movie of the same name. Fortunately, I had not seen the movie and I knew very little of the novel's plot, so I was … Continue reading Time and Cycles in Michael Cunningham’s [The Hours]