In her discussion on “Queer in the Great City,” Julie Abraham exemplifies the ontological associations that exist between homosexuality and urbanity. Abraham argues that queer people are culturally approached as signifiers that represent the differences between urban and rural spaces, and more specifically, she claims that their very presence “marks a place as properly urban” … Continue reading Trading Spaces: Gay Markers of Urbanity and NBC’s Will & Grace
Warning: The following post contains major spoilers for Andrew Smith's Winger. After reading Andrew Smith's Grasshopper Jungle, I immediately knew that I had to read other works written by this author--and Winger seemed like the obvious choice. I finished reading Winger a couple of weeks ago. Typically, I write analyses and reviews of books soon after I read them, but for this novel, … Continue reading Unrealistic Expectations: (Meta)Narrative in Andrew Smith’s [Winger]
Defining the parameters of postmodern literature is a daunting task, due not only to disagreements about what texts can or can't be approached as postmodern, but also to the paradoxical and elusive nature of the postmodern movement. Paradoxical seems to be an effective word to invoke when approaching postmodern literature--as Barry Lewis points out in his … Continue reading What is Postmodern Literature?
Art Spiegelman's Maus revolutionized the perception of comics not only in academia, but also in popular culture. Not only is it the first graphic novel to ever win a Pulitzer prize, but its presence has been ubiquitous in academia--appealing to scholars interested in areas such as the image-text relationship, animal studies, postmodernism, history, memoir, Holocaust studies, and … Continue reading An Analysis of Pastiche in Art Spiegelman’s [Maus I: My Father Bleeds History]
"Lost in the Funhouse" is a short story in John Barth's book of the same name, originally published in 1968. The stories within this collection are typically approached as postmodern due to their self-reflexivity, their self-awareness, and their use of self-reference. The short story "Life in the Funhouse," in particular, is known for its active … Continue reading John Barth’s “Lost in the Funhouse”: A Postmodern Critique of the Developmental Narrative
Ellen Wittlinger's Hard Love is at its core a novel about love, but it is quite different from other young adult novels on the subject that were written in the late 1990s. The narrative is centered on John Galardi (known by some as Gio), a junior in a high school who is still haunted by the ghosts … Continue reading On Asexuality and Kinship: Ellen Wittlinger’s [Hard Love]
It is difficult to find quality young adult novels with a sensitive male teenager as the protagonist. While this has to do with the stereotypes generally tied to readers of the genre, the rarity of this character also has a lot to do with issues and perceptions of gender in contemporary society. There is something … Continue reading John Corey Whaley’s “Where Things Come Back” – A Haunting and Truly Thought-Provoking Read