The Perils of Religious Stagnancy: Herman Melville’s “Clarel”

In today's post, I will briefly discuss my interpretation of the character of Nehemiah in Melville’s epic poem Clarel, and I will contrast him with David Fenimore Cooper’s “parallel” character, David Gamut, in The Last of the Mohicans. At first glance, Nehemiah seems to be a typical stock character that serves as a foil to … Continue reading The Perils of Religious Stagnancy: Herman Melville’s “Clarel”

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Revealing the Man beneath the “Negro”

In a previous post, I discussed issues of race in Melville’s Benito Cereno, and this week, I couldn't help but return to the depiction of race in Melville’s works. Now, Melville’s The Confidence-Man was indeed as challenging and perplexing as I thought it would be; after all, most of Melville’s works are characterized for being “devious,” ambiguous, … Continue reading Revealing the Man beneath the “Negro”

Decoding the American Scholar: Towards a Distant Computational Reading of Emerson’s Prose

The following entry discusses some ideas that I plan to explore in a research paper that I will write for a course titled "Knowledge, Belief, and Science in Melville's America," which is being offered by Dr. Laura Dassow Walls at the University of Notre Dame during the fall semester of 2012. During my last semester … Continue reading Decoding the American Scholar: Towards a Distant Computational Reading of Emerson’s Prose