On Closets and Straight Gazes – Bill Konigsberg’s [Openly Straight]

I was thinking about how snakes shed their skin every year, and how awesome it would be if people did that too. In a lot of ways, that’s what I was trying to do. As of tomorrow, I was going to have new skin, and that skin could look like anything, would feel different thanContinue reading “On Closets and Straight Gazes – Bill Konigsberg’s [Openly Straight]”

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Queer Time in Edmund White’s [A Boy’s Own Story]

Edmund White’s A Boy’s Own Story is a coming-of-age novel centered on the sexual awakening of a queer teenage boy in the Midwest during the 1950s. The novel discusses topics such as the corruption of innocence, the pressures of masculinity in the lives of young boys, the emergence of childhood sexuality, and the exploration of humanity throughContinue reading “Queer Time in Edmund White’s [A Boy’s Own Story]”

Fact Versus Fiction: Alan Hollinghurst’s [The Line of Beauty]

I find it so easy to get lost in the elegance and artistry of Alan Hollinghurst’s The Line of Beauty. I originally planned to read this book in a day or two, but it took me a while longer simply because I was so enthralled and moved by the novel’s baroque descriptions and its aesthetic focusContinue reading “Fact Versus Fiction: Alan Hollinghurst’s [The Line of Beauty]”

The Role of Gender and Literature in Alison Bechdel’s [Fun Home]

Originally published in 2006, Fun Home: A Family Tragicomic is a graphic memoir that led Alison Bechdel to commercial and critical success. Reminiscent of Art Spiegelman’s Maus, Fun Home explores the relationship between Alison and her closeted father, Bruce Bechdel, to shed light on themes such as gender, the coming-out process, and the complicated dynamics of family life. The explorationContinue reading “The Role of Gender and Literature in Alison Bechdel’s [Fun Home]”

Connection Failed: An Analysis of Christopher Isherwood’s [A Single Man]

Failure is found at the heart of many great works of fiction. It is a common motif used to spark an emotional connection, sympathy, and at times, anger. Failure is not only the heart of Christopher Isherwood’s A Single Man–is also the blood, the flesh, and the soul of this novel. Centered on a single dayContinue reading “Connection Failed: An Analysis of Christopher Isherwood’s [A Single Man]”

Conceal, Don’t Feel: A Queer Reading of Disney’s [Frozen]

Don’t let them in, don’t let them see Be the good girl you always have to be Conceal, don’t feel, don’t let them know Well, now they know. – Queen Elsa, “Let It Go” – Disney’s Frozen Last night I saw Frozen, Disney’s adaptation of Hans Christian Andersen’s classic fairy tale entitled The Snow Queen. After seeing the film,Continue reading “Conceal, Don’t Feel: A Queer Reading of Disney’s [Frozen]”

On the Decentralization of Truth and Memory in Achy Obejas’ [Memory Mambo]

Achy Obejas’ Lambda Award-winning novel, Memory Mambo, is a text that simmers and lingers within the mind long after it is read. I initially decided to read this novel because it centers on the life of a Cuban-American lesbian who administrates a laundry service in the Midwest, however, it is a much more complex and rich readContinue reading “On the Decentralization of Truth and Memory in Achy Obejas’ [Memory Mambo]”

J.C. Lillis’ [How to Repair a Mechanical Heart]: A Gay YA Novel on Fandom, Religion, and Canonicity

If there is one thing that gay young adult fiction should be thankful for, that thing would be the internet. Because of the advent of the web, we have witnessed the increase of self-published e-novels distributed through online stores such as Amazon and Barnes and Noble. Self-publishing, in my opinion, greatly expands the possibilities ofContinue reading “J.C. Lillis’ [How to Repair a Mechanical Heart]: A Gay YA Novel on Fandom, Religion, and Canonicity”

On Happy Endings and Gay Fiction: E.M. Forster’s [Maurice]

“A happy ending was imperative. I shouldn’t have bothered to write otherwise. I was determined that in fiction anyway two men should fall in love and remain in it for the ever and ever that fiction allows, and in this sense Maurice and Alec still roam in the greenwood. […] Happiness is its keynote–which byContinue reading “On Happy Endings and Gay Fiction: E.M. Forster’s [Maurice]”