We Are the Stories We Tell: Patrick Ness’ [More Than This]

(Major spoilers ahead. You’ve been warned!) “People see stories everywhere,” Regine says. “That’s what my father used to say. We take random events and we put them together in a pattern so we can comfort ourselves with a story, no matter how much it obviously isn’t true.” She glances back at Seth. “We have toContinue reading “We Are the Stories We Tell: Patrick Ness’ [More Than This]”

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Escaping the Labyrinth: Suffering in YA Fiction and the Case of John Green’s [Looking for Alaska]

  How will we ever get out of this labyrinth of suffering? –A.Y. – John Green, Looking for Alaska (p. 158) What is the role of suffering in young adult literature? I’ve been obsessed with answering this question since one of my dissertation committee members asked me it a couple of weeks ago. My desire to answer thisContinue reading “Escaping the Labyrinth: Suffering in YA Fiction and the Case of John Green’s [Looking for Alaska]”

The Role of Gender and Literature in Alison Bechdel’s [Fun Home]

Originally published in 2006, Fun Home: A Family Tragicomic is a graphic memoir that led Alison Bechdel to commercial and critical success. Reminiscent of Art Spiegelman’s Maus, Fun Home explores the relationship between Alison and her closeted father, Bruce Bechdel, to shed light on themes such as gender, the coming-out process, and the complicated dynamics of family life. The explorationContinue reading “The Role of Gender and Literature in Alison Bechdel’s [Fun Home]”

Masculinity in Robert Cormier’s [The Chocolate War]

It’s 1:53 a.m. and I currently can’t sleep because of this book. I was going to wait and write about it in the morning, but I really need to engage in the cathartic process of writing in order to make sense of all of the thoughts that are fireworking in my head. I was expectingContinue reading “Masculinity in Robert Cormier’s [The Chocolate War]”

John Barth’s “Lost in the Funhouse”: A Postmodern Critique of the Developmental Narrative

“Lost in the Funhouse” is a short story in John Barth’s book of the same name, originally published in 1968.  The stories within this collection are typically approached as postmodern due to their self-reflexivity, their self-awareness, and their use of self-reference. The short story “Life in the Funhouse,” in particular, is known for its activeContinue reading “John Barth’s “Lost in the Funhouse”: A Postmodern Critique of the Developmental Narrative”