Gender and Non-Normativity in Jeanette Winterson’s [Oranges Are Not the Only Fruit]

Oranges Are Not the Only Fruit (henceforth OANOF) is a 1985 Bildungsroman (novel of development) centered on the life of Jeanette, a girl who is adopted and raised by a woman who happens to be a fundamentalist Christian. Jeanette's mother believes in literal translations of the Bible, and she freely uses religious rhetoric to accommodate her black and … Continue reading Gender and Non-Normativity in Jeanette Winterson’s [Oranges Are Not the Only Fruit]

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Masculinity Without Men? Judith Halberstam’s [Female Masculinity]

When we invoke the iconic image of James Bond, masculinity is usually one of the first notions that comes to mind. My friend and colleague, Dan Murphy, insightfully points out that even when James Bond utters his casual introductory catchphrase, "Bond, James Bond," these simple words resonate within our thoughts because they express "an appealing version … Continue reading Masculinity Without Men? Judith Halberstam’s [Female Masculinity]

Foucault and the History of Sexuality: A “Queer” Overview

If sex is repressed, that is, condemned to prohibition, nonexistence, and silence, then the mere fact that one is speaking about it has the appearance of a deliberate transgression. A person who holds forth in such language places himself to a certain extent outside the reach of power; he upsets established law; he somehow anticipates … Continue reading Foucault and the History of Sexuality: A “Queer” Overview

Beyond “Words, Words, Words”: Soliloquies, the Graphic Novel, and the Great Shakespearean Divide

The following post is an excerpt from an article I am working on originally written for my class on Shakespeare: Editing and Performance, offered by Peter Holland at the University of Notre Dame (Spring 2012). This paper was presented at the 2013 Popular Culture Association/American Culture Association National Conference in Washington, D.C., on March 20th, 2013. FAIR … Continue reading Beyond “Words, Words, Words”: Soliloquies, the Graphic Novel, and the Great Shakespearean Divide